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Keeping projects profitable

In theory, running a project profitably should be simple. You make more on a project than you spend. But as anyone in the agency world knows, things can be far from simple.

Here are the key areas you can focus on to keep each project profitable.

In this guide

Extra demands from a client, a change in direction, another set or two of amends... it's easy for things to slip.

While the end of a project might feel like a brilliant creative achievement, you do also need to look carefully from a commercial perspective. 

Here are six key areas you can focus on to keep each project on a profitable track.

Being clear on the scope/brief

Clarity is everything in terms of profitability. And this means in every aspect of the job.

The brief, the scope, the deadlines. Don’t be afraid to ask and double-check. If a client has asked for a few options, for example, how much are they expecting to see? Design concepts and headline ideas or fully written, designed and artworked options? If they’ve given a deadline, is this for the final, signed-off version, or for them to give initial feedback and amends?

Scope out absolutely every aspect of the project with the client, then you can produce your brief and proposed schedule.

Ask the client to okay this before you brief the project into your teams. Being overzealous at this point is better than missing out a vital step which the client still expects to be included... but that you haven’t quoted for.

Top tip: carrying out regular reviews can help make sure everyone’s on track.

Getting the estimate and quote right

How much time you think the job will take is key. But notoriously difficult, especially if it’s a new project type or new client.

The first thing to consider is who needs to be involved and get an idea from each team member how much time they think they’ll need.

Then you need to consider extra time, over and above the amount you need to produce the work. For example, how many sets of amends are included? Will there be lots of meetings along the way? Are you being asked to present the work at various stages? Add all this together and you have your estimate.

Essentially, an estimate is both your internal time and other expected costs. You need the hours estimated to be an accurate assessment of how long you and the team think it will take to complete the job, as this also helps you accurately plan your agency's capacity.

If it’s a new project for an existing client, you might know how they work — from those who love a good two-hour meeting to discuss progress or gauge opinion to those who are happy to brief and let you get on with it.

If it’s a new client, then you need to make sure that what you’re quoting for manages their expectations in terms of input and delivery.

Then, you need to consider how to build your quote. You may know that a job will likely take 20 hours. But perhaps this is a special situation, and you decide to offer some discount. Your quote is, therefore, a commercial decision. But using the estimate, it's based on a solid understanding of the likely costs and, therefore, profit.

Top tip: if you’ve done a similar project in the past, you can use this as a guide.

Learn more: How to improve agency estimating and job costing

Developing a set of standard operating procedures

This may sound the opposite of what a creative agency stands for. But stay with us. Having a single set of (preferably) automated processes will help you operate far more efficiently.

One team logs timesheets on one system, account managers track time against budget on another..., and some teams update data daily, some weekly. It’s already too complicated to think about, and that’s just one process.

So get templating, get automating, get streamlining.

What processes does each project generally need? Essentially, if all your processes follow the same pattern for each project, you’ll work much more efficiently. Saving time, saving money... and making money.

Top tip: remember, different teams will have different processes, so ask for input from each department.

Putting everything in one place

It comes back to the kind of administration we’ve already referred to in terms of process and time tracking. If you’re operating with siloed systems and separate data storage, it can become a logistical nightmare when you’re trying to navigate a lot of projects.

Even worse is when you don’t really have any systems, and information is simply in people’s heads. This will all just conspire to give you a headache.

Success in managing multiple projects relies on communication. Putting all your information into one system means everyone can see everything. This could be project briefs, estimates, quotes, timesheets, reviews, updates, input from clients... essentially, anything relating to the project. Everyone knows where they can find information, and if the project is on track or needs refocusing.

It's important, however, to make sure you’re communicating wisely. What’s happening, when, and who needs to do what? Beware of falling into the trap of over-communicating, where people are being given information they don’t need. Your teams will start drowning in unnecessary comms and will more than likely start ignoring stuff they do need to know about. So, keep your comms curated and concise.

Again, it’s about engaging and encouraging your teams to get on board. Talking about systems and processes might get people yawning. But explaining that this approach could lead to a calmer, less chaotic way of working might be more likely to win people around.

Top tip: if your team members forget to upload information, set up automated alerts to remind them.

Using the right people

Capacity planning is important as a strategic part of agency management. To make sure you’re taking on the right projects for your available teams. So, in theory, if this is being done correctly, then you know you’ll have the right team ready to work on your project.

On a project level, using the right team members is helpful for profitability. If you’ve got a lot of projects on the go, it’s tempting to fling a brief at the nearest person. But a less-experienced designer, for example, will likely need longer than a more senior designer. Or they might just not be the right fit for the client and the brief. 

If a team member is in over their head, the project is more likely to come back needing more work and attention... at the cost of profits. Equally, giving a simple task to a more experienced colleague means they’re not free to do the work they’re most suited to.

So you need to do some resource and capacity planning.

What projects are in the pipeline? Have you got a) enough people to manage and b) the right people to do the work?

If not, then at least you have an idea upfront rather than ending up overloading team members. And you can decide what actions to take. Do you need to get some freelancers in? Can you reshuffle some projects to free up the right people? Can you even ditch some projects if they will be done in a panicky rush and not please the client? Or maybe you even need to recruit if you’ll be this busy for a long time.

Ultimately, just piling more and more work onto people will lead to poorly executed projects that clients don’t want to pay for.

Equally, having team members sitting around twiddling their thumbs can lead to overservicing – they’ll just put more time onto the jobs they do have, which the client isn’t paying you for.

Top tip: look to your resource planning and capacity forecasting to make sure the right people, not just the right team, will be available for your project.

Tracking time

Every agency member’s least favourite thing to do, but one of the most critical parts of keeping a project profitable.

Time tracking comes up in almost every guide, article and blog we write, and we make no apology for that. Because it’s just about the single most vital thing you can do to help your agency stay profitable. 

If you’ve estimated five hours for design, but you've spent more time — by how much, and why? Timesheets quickly show you what they’re spending this time on, helping you dig into the why. Did you underestimate? Did the client make lots of amends? Is there a training gap? And, if you log your timesheets in an agency management system, you can set alerts to let you know if a job’s nearing budget and take proactive measures.

Having accurate data helps you keep a grasp on what’s happening. If they’re working on multiple projects simultaneously, they need to log time on one before moving onto the next. Waiting until the end of the day, or even worse the end of the week, just leads to lots of ‘how long did I spend on that again?’

Top tip: make sure everyone understands that tracking time isn’t about spying on them... but about keeping profits coming in, which will ultimately benefit everyone.

Managing scope creep

Even the most well-researched and meticulously prepared brief can be at the mercy of a fickle client. One who decides they need just an extra page, a few more heading options, to input some ideas from a colleague.

And this is where careful project management comes into play. If it’s a valued client who tends to give you a lot of profitable work, you might decide you can absorb a few extra requests. If they’re essentially rebriefing or adding a whole pile of extra work, you might not be able to incorporate this without extra charge.

Here, you need to be upfront with the client and let them know what extra costs they’ll incur for any more work, and they can take the decision whether to go ahead.

Importantly, you need to update your estimate on your systems so the right amount of time is allocated to team members. And, if you are absorbing the extra work into the initial quote, don’t be afraid to explain this to your client.

It can strengthen your relationship and could lead to more projects down the line. Just make sure they aren’t expecting too much for nothing... every now and then is okay, more often becomes a bad — and unprofitable — habit.

Top tip: Conduct regular reviews throughout the project to identify where scope creep might be building.

Want to avoid overservicing? Check out our guide

Review, review, review

The only real way to know if your projects are profitable is after the event. But you can try to pre-empt going down an unprofitable track as much as possible.

For longer projects, carry out regular reviews throughout to make sure you’re not going over time or budget. If you are, what can you do? Re-evaluate the brief and the quote with the client?

If you have an agency management system, you could set up alerts to let you know if something needs your attention. For example, you’ve used up 50% of your hours quoted but only completed 25% of the work.

Conduct post-project reviews

A debrief won’t miraculously turn an unprofitable project into a profitable one. But it could help your next one be more profitable.

Did everyone have enough time? Was the project delivered within budget? Was there much in the way of scope creep? Were you and the client happy with the final outcome?

Using past projects to guide future ones is a good way of determining time allocation and who works best on what type of project. A quick analysis at the end of each means they can help you work more efficiently – and more profitably – next time.

Top tip: ask for input from everyone involved and make sure you keep notes. There’s no point in getting feedback without using it.

Thinking about profitability probably isn’t the first thing on everyone’s mind at the start of a project. It’s the usual balance with an agency of keeping the creative juices flowing while at the same time giving the commercial aspects the attention they need. Getting the behind-the-scenes elements of a project pitch perfect doesn’t need to be arduous... but can take you from muddling through to making profits. Every time.

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